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                線上佑品 | 活在時間之≡中——當代藝術▽作品線上展覽 Vol.8:龔建東

                2020-5-9 13:48| 發布者: 壹號收藏

                摘要: 能將自己的生命寄托在他人的記憶中,生命仿佛就加長了一些;光榮是我們獲得的新生命,其可珍可貴,實不下於天賦的生命。——孟德斯鳩2020年4月,春暖花開,萬物復蘇,武漢,舊疾當愈,別來無恙。在這場人疫大戰的戰場 ...
                      能將自己的生命寄托在他人的記憶中,生命仿佛就加長了一些;光榮是我們獲得的新生命,其可珍可貴,實不下於天賦的生命。
                ——孟德斯鳩


                2020年4月,
                春暖花開,萬物復蘇,
                武漢,舊疾當愈,別來無恙。
                在這場人疫大戰的戰場上,
                活在時間之中!

                靚起來,武漢!
                好起來,佑品!
                活在時間之中當代藝術作品█登錄線上佑品;
                線上佑品,匯聚藝術的力量;
                線上佑品,為復蘇的大武漢註入藝術活力;
                2020,活在時間之中!

                April 2020,
                Spring is warm and flowes are blooming,and all things arerevived,
                Wuhan,the old disease should be cured, and you will be safe again.
                In this battlefieldbetween human and the coronavirus,
                Living in the time!
                 
                Beautiful Wuhan!
                Come on, Youpin!
                Artworks of "Living in the time" are exhibiting in Youpin Online now;
                Youpin online,gathering the power ofart;
                Youpin online,infusing artisticvitality into the revived great Wuhan;
                2020,living in the time!

                      參展藝術家/Artist 

                龔建東/藝術家/現工作生活於重慶
                Gong Jiandong, artist, Now living and working in Chong Qing

                      藝術家自〇述/Artist Statement    

                      在我的繪畫中沒有一個明確的主題,我力圖表現出我日常所接收到的圖像的混亂感。我們所看到的圖像很多時候是和文字一ξ同出現的,脫離了文字它可能顯示的是另外一層意思。當我將這些圖像的局部組合在一起時它仔细本來的含義進一步的被削減了,它可能看起來非常的抽象,但是它的確又是一張圖片。另外,我想與一般意義上的繪畫拉開差距。比如風景畫、人物畫、或者是就进行了内视表現空間,時間㊣的繪畫∞。我的繪畫裏面》這些元素可能都存在,它呈現出來的信息是十分豐富的。

                      在構圖方面,我的繪畫是去除了視覺中心的。當我看到大量的圖像時我的眼睛無法聚焦到一個地方,我甚至不知道它要傳達什麽杀手锏,這種感受啟發了我在〒創作時將畫面的視覺中心只不过拋棄掉。事實上,我們就生活在這樣一個環境裏面。大量的圖像造成我們視覺上接受的過載。我想把我感受到的“真實”表現出來。

                      在色〓彩上面,我是把整嘿嘿——張畫看成一張圖像考慮的,所以我將畫面統一為一個↘色調。色調或是藍色或是綠色,沒有特定的含義。這種色彩上的統一和畫面圖像▲的混亂形成一種拉扯讓我十分真相著迷。
                我個人創作時利用的都是現成的圖像,圖像與圖像之間的覆蓋,就像日常的新聞一樣,今天的被明天的在覆蓋掉。當我們遠看這些被拆分然後又被重組的ξ 圖像時它顯現出一種明確的抽象感,但我們近看時又能發現具象的元素。這正是喂我追求的一種效果,一種◇具有陌生感和含混不清的繪畫。

                      There is no clear theme in my painting. I try to show the confusion of the images I receive everyday. The image we see often appears together with the text, which may show another meaning without the text. When I combine the parts of these images together, its original meaning is further reduced. It may look very abstract, but it is a picture. In addition, I want to open a gap with painting in the general sense. For example, landscape painting, figure painting, or painting of space and time. These elements may exist in my painting, and the information it presents is very rich.

                      In terms of composition, my painting has removed the visual center. When I see a large number of images, my eyes can't focus on a place, and I don't even know what it is going to convey. This feeling inspired me to abandon the visual center of the image when I created it. In fact, we live in such an environment. A large number of images cause our visual acceptance overload. I want to show the "truth" I feel.

                      In terms of color, I consider the whole picture as an image, so I unify the picture into one tone. There is no specific meaning to the hue, either blue or green. This kind of unity in color and the confusion of the picture and image form a kind of pull that fascinates me very much.
                When I personally create, I use ready-made images. The coverage between images is like daily news. Today's images are covered by tomorrow's. When we look far at these split and then recombined images, it shows a clear sense of abstraction, but when we look closely, we can find concrete elements. This is a kind of effect that I pursue, a kind of painting with strangeness and ambiguity.

                      參展作品/Artworks :

                生活+/180*105 cm/布面油畫/2020

                MESS/180*120 cm/布面油畫/2017

                拆自然是唯是从分與重組/180*135 cm/布面綜合︼材料/2018

                廢墟 4/180*135 cm/布面油畫/2017

                廢墟/180*135 cm/數碼噴畫/2018

                      藝術簡歷/ Resume 

                      畢業於四川美術學院
                      2015.油畫系23屆年展   caea 美術館
                      2016.十年顯影   caea 美術館
                      2019.24屆廣州國際藝術博覽會   廣交會C館
                      2019.許欽松創∩作獎   廣州美術學院美術館
                      2019.抽相--悸動▅的形式   東視聖軒美〓術館  
                      2019.新維度之物   關∞山漾美術館
                      2019.綠廠藝朱俊州又折身向着小树林内走去術節   深圳
                      2019.當代東亞藝術家邀請展   北京
                      2020.第四屆福建省迎春作品展   廈門美∏術館
                      2020.山西省首屆青年藝術計●劃   太原美術館
                      2020.繁星藝術︽計劃   樹美術館
                      2020.約翰·摩爾繪畫小美女或许是被吓傻了獎  上海∏民生現代美術館

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